Vintage metronome

The title says it all. I’ll start with a short story, 10 years ago I was asked to create a song for a TV show in Tel Aviv. After sending the song back to the network the response
I got back was “we like it, but something doesn’t feel right.” There’s not a lot you can do with comment like that, but I had the same feeling before I sent the song and couldn’t put my finger on the issue.

Then it hit me; I went back to the studio, opened the project and raised it by 2 BPMs and sent it back to the network. They now loved it. I think this was the first time in my career I started to focus on BPM and key changes. Don’t get me wrong – you need to have a good song, production, recording, and mix first. Key changes and BPM changes are not going to solve all of the above, but they can make a good song flow better. In the case of key changes, they can make a song sound and vibe entirely differently.


I suggest you check your BPM and key pretty early into the production – maybe an hour into the production.

The more you wait, the harder it is to change the key later without re-recording some of the vocals or instruments. For example, if you raised the key, the singer may need to belt or sing in falsetto, if you lowered the the key, they will need to move into their lower register. Keep in mind when you raise or lower the key, the recorded audio might sound weird and unnatural, so you may need to re-record some of the parts. This makes it even more important to determine the key early on if possible. On the other hand, a shift of 1-3 BPMs can generally pass smoothly with the stretching technologies built into modern DAWs.

Another note to remember, key and BPM changes will affect the dynamic response of a mix, especially key changes: Raising the key will usually sound brighter, while taking the key down will make the track sound deeper. Raising the BPM will make take away some of the low end, while taking the BPM down will create more room for low frequencies.

Last but not least, how fast or slow a song sounds to you also depends on the system you’re using and your state of mind. For example, late hours can make songs sound faster and the use of substances can make big changes to how you perceive a song as well, so it’s best to sober up before you do your final export.


Raz Klinghoffer


Raz Klinghoffer (AKA Hamster) is a record producer, songwriter, mix & audio engineer, and guitarist. He records at his recording studio in the San Fernando Valley of Los Angeles. Raz has spent over 16-years producing and mixing most genres of music including pop, electronic, rock, hip-hop, R&B, Americana/folk, film scores, adult contemporary, country, and metal. Raz works with up & coming and established artists at all levels of their careers, and ghost produced for some of the biggest names in the industry. Raz’s co-write and production work for EarlyRise, “Wasteland,” was the only track by an unsigned artist to be featured in-game in Ubisoft ‘Rocksmith 2014’ – alongside Paramore, Jack White, Arctic Monkeys, etc. Raz’s music has appeared on many shows like Netflix’s ‘Insatiable’, “Lucifer”, NBC’s ‘Shades of Blue’ , “Shadowhunters”, Fox’s “Almost Family” and ABC’s “The Rookie” etc. His track “La La La” received airplay across the country on powerhouse top 40 stations Z100 (NYC), Q102 (Philly), XL106.7 (Orlando), 91.7 ZHT (Salt Lake City), and KISSFM (Phoenix).